Collection: The Edits

I source from mill overruns out of North Carolina and the design houses of High Point, which means access to the same fabric that furnishes the rooms you admire, available outside the traditional trade. Every piece I select is continuous cut and usable yardage. No odd lots, no unusable cuts, nothing that won't actually work for a real project.

Each box starts with one fabric I can't stop thinking about. A hero piece from houses like Lee Jofa, Schumacher, Brunschwig & Fils, Jane Churchill, and Thibaut at the top tier, to Ballard Designs, Waverly, and P/K Kaufmann at the entry level. From there I find two pieces that belong with it, coordinating in colorway, complementary in scale and texture. Minimum two yards each.

The sourcing is the hard part. That part is already done.